REVIEWS AND PRESS

CRITICISM




« The drawings of Clara Breuil

guide us towards a sky where we marry

the angel and the devil.


She poses gently

her naughty madonna look

on a tender love.


His trait is writing

and his words draw it.


Emotion enlarges its hidden happiness

that she tells us, while singing it,

climbing with charm and humor

verse after verse,

the floors of a building that looks like

to the life.


Melancholy and joyful,

many Clara in one soul. »



Jean-Michel RIBES

Rond-Point Theater

75,008 Paris

Director

Author Playwright

Director Screenwriter


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“The Claude Samuel Gallery, Paris,

exhibits the illustrations of Clara Breuil.

A magnificent opportunity to dive into a sensitive, feminine universe,

poetic and human.


Each image offers a fragment of

life, emotions experienced - sometimes difficult, intimate or moving that Clara Breuil chooses to positive to the rhythm of her heart

in so many resilient and optimistic scars. »



Antoine DU PAYRAT


Creative Director

Artistic director ,

Visual artist, Graphic designer

Former Director Assouline (clients Dior Chanel, Cartier, Ritz, Le Printemps)

Teacher-researcher at ISCOM Paris



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“First of all, it’s a trait.

Which is refused at first glance, before becoming obvious.

Who does not seek the effect, but suggests it.

Then these are words that belong only to her

and that it offers us.

Words that define her without

summarize it.

It's finally a smile. That of Clara Breuil. »


BOLL


French cartoonist for the press: Le Monde, L'EXPRESS, LH Le Magazine, Les Echos, Charlie Hebdo, Le Point…Les éditions Casterman, Nathan Paris



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“Words and women.

Words wrapped in unsaid words revealed to express the aches of the heart, but also its joys and its hopes.

Dresses in words to say the heart beneath

the dress.

Words perched on its dizzying sandals in precarious balance.

And Clara the teller with the brush saying, with the brush drawing the mischievous and cheeky silhouettes, playful but also pensive, worried and murmuring in

all modesty and without restraint.

And then Clara, spicy and enveloping. Gaze darting and then pensive.

Words passing through the door of the painted and seductive mouth without really believing in them.

Clara conquering and fragile, sparkling and secret.

Clara is told like a secret whispered in extreme inflections, as if you were the sole custodian of the confidence.

I predict Clara Breuil will have a great career as an artist. She's worth it. »



Henri-Pierre RODRIGUEZ


Professor of Art History

and Costume, Consultant, Paris



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“Clara Breuil reads, sings, draws

and dances her heart accidents.

But without complaint.


As if amicably separated from her pain, she retained only the elegance of melancholy.


The lightness of his features and his dance seem to elevate him above the setbacks

from his bed or his work.


And we want to believe with her that the time will come for the “switchers of the heart”

to make a mockery of disenchantment…”


Jean-Noël MATRAY


Head of the Culture Sector at the Education League, Jura.



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Artist of the “Renaissances”,

Clara Breuil offers a universe at the heart of which the person and the world renew their sensitive relationship, restoring in everyday life its quality of revealed epiphany.


Miquel IZUEL I CURRIA


Psychologist, psychoanalyst, Author and Director of the GREFART research group in Barcelona, of the Master Art Therapy of the UNIVERSITY OF GIRONA and Vice-President FEAPA Barcelona




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“All of Clara Breuil's works betray great passion and sensuality but also fragility (the finesse of the features, lines, sketched faces...) uncertainty, sometimes fear, a need to be found, welcomed , entwined while wanting not to depend…


In a few lines she manages to move me. Moving is not cutesy.

To move is to touch at least two sensitive chords which produce a chord, the cell of a melody common to the author and the reader because a pictorial work can be read. »



Raymond GEVAERT


Lecturer in Literature and Philosophy. Catholic University of Louvain, Belgium




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“The female characters

by Clara Breuil in their fragility and elegance struggling with the words that envelop them, devour them, dress them or capsize them, also take us into a form of fantastic inner journey. »




Michèle LAURENCE


Actress, Author Vice-President

“A Mots Découvertes” a living laboratory of theatrical writing

Vice-President of EAT Ecrivains Associés du Théâtre, Paris


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